Fan art has been a big part of my evolution as an artist, all my projects until now had been inspired by Star Wars, Overwatch, etc. In one meeting she talked extensively about fan art and the importance of being original.

The idea for this 3D character modeling project originated from a discussion I had with the Career Development Manager Maxine Schnepf. What follows is a series of tips and tricks I hope you'll find useful. Secondly, I'm not going to cover aspects of character creation that you may have already discussed with your mentor or that you can find easily online. There are so many effective workflows developed by artists far better than me, and at the end of the day, you will have to find the workflow that suits you. This is just the way I do it based on my own experience and personal preferences. Firstly, the methods I'm presenting are by no means the best or the only way to approach creating characters for cinematics. I want to introduce my newest character Anja, she's created for use in simple cinematics.īefore proceeding I'd like to make two disclaimers. My name is Massimiliano Moro and I graduated in 3D Modeling at CG Spectrum in 2020. Let's delve into the glorious complexities of 3D modeling! How his first iteration was fleshed out and amplified with the skills he gained from completing the Advanced 3D Modeling Course. We asked CG Spectrum graduate Massimiliano Moro to walk us through how he created realistic hair and eye elements in his 3D modeled character Anja.

Zbrush to maya